Humby Valdes

Dark storm clouds cover half the sky as the last streaks of sun light hits the blue sky as the sun sets. Captured on film, Kodak Portra 400 on the Nikon F80s with the Voigtlander Ultron 40mm f/2 lens.

SPLIT IN HALF

Steam boat tower shot on the Nikon F80s with the Nikkor 50mm f/1.8 lens

Movie theater tower shot on the Nikon F80s with the Nikkor 50mm f/1.8 lens

Kodak Ektar 100 Tower Diptych

Christmas lights on Aruba restaurant. Kodak Portra 160 on Nikon Lite Touch point and shoot camera.

Sun on a cloudy foggy day in the rearview mirror. Kodak Ektar 100. Nikon F80s with the Nikkor 50mm f/1.8 D lens.

Wet slippery warning sign shaped like a Banana peal. Kodak Ektar 100 film.

Blurry photo of birds sitting on a Cocktails neon sign durring the day. Shot on Kodak Portra 400 film.

Missed focus on a tree that wasnt even moving. Kodak Portra 160.

Tried to get perfect photos but ended up with
magnum opus of blur.

FLOWER ON FILM

Kentmere PAN 400

Lying lips are abomination to the LORD: but they that deal truly are his delight. - Proverbs 12:22

Curved

Curved sidewall building. Kodak Ektar 100.

Curved ceiling decoration with star in the background. Kodak Ektar 100.

Diptych

Artwork from Kiki Valdes's art show: Cafeteriacana @ Club Miami gallery @Citadel Miami. Shot on Kodak Ektar 100 film.

Kiki Valdes: Cafeteriacana Art Show @ Club Gallery Citadel Miami

Empty streets of Downtown Miami at night. Kodak 250D on the Nikon FM2n camera and the Nikon 35–70mm f/3.5–4.8 lens.

NE 2 ST - Downtown Miami stopped at a red light at night. Shot on Kodak 5207 with the Nikon FM2n camera and the Nikon 35–70mm f/3.5–4.8 lens.

Cop car with lights on arriving on Brickell Ave at night. Photographed on Kodak Vision3 250D movie film as still photography with the Nikon FM2n film camera and cheap but awesome Nikon 35–70mm f/3.5–4.8 lens.

No place to go

but still in a hurry

No one awaits

Krome ave at night - Kodak Vision3 250D.

Driving on Krome Ave was always an eerie experience, my mom used to warn me about Krome. Back in highscrewl, I'd always hear weird stories. I think it's the line that Miami-Dade can't build past to preserve the Everglades. It felt wild west back then. Two land road, no light, no signs of life, just bullet hole signs. One night, I saw an empty SUV engulfed in flames with no one around. When I got home, I told her the story and she nervously laughed and said I told you.

It's now modernized, even has street lights and traffic.

My mom was right